Do Re Mi Project
  • Learn
    • Book a Tutor
    • Get a Free Instrument
  • Volunteer
    • Tutor >
      • Instrument Selection Advising
    • community outreach
    • Other Open Positions
    • Service Hours Policy
  • Donate
  • Events
    • Calendar
    • Scholarship
    • 2025 DRM International Music Competition
    • 2025 Winners - DRM International Music Competition
  • Shop
  • About
    • About Us
    • FAQ
    • Alumni
    • Do Re Mi Fact Sheet

Do Re Mi International Music Competition

💙 Our Goal:

We are pleased to announce the third Do Re Mi International Music Competition! Open only to Do Re Mi tutors, our aim is to recognize students for their outstanding musical abilities and provide valuable feedback to all applicants.

​🎼 How to Apply:

Please read the following information on competition eligibility and submission requirements.
Apply Here
DEADLINE
  • Saturday, April 19th, 2025 at 11:59 PM ET

DIVISIONS
  • Strings
  • Winds, Brass, Percussion, Harp
  • Piano
  • Voice

ELIGIBILITY
  • You must be registered as a tutor for the Do Re Mi Project.
  • You must be between the ages of 13-18 and enrolled in high school.
  • You must have tutored for at least 2 hours (~4 lessons) by the application deadline.

NO APPLICATION FEE
  • There is NO application fee for entering this competition.

REPERTOIRE & REQUIREMENTS
  • Repertoire may be from any musical time period and style.
  • The time limit for the video submission is 12 minutes. Videos that run overtime may be subject to disqualification.
  • You may submit multiple recordings as long as they are under the time limit and compiled into one video.
  • Videos do not need to be professional and must be taken in one take without any audio/video editing, except transitioning between pieces.
  • Your face, hands, feet with pedals as well as instrument, must be visible for the entirety of the video.
  • Videos must be uploaded to YouTube and submitted as a single “unlisted” link.
  • Memorization is not required.
  • If applicable, accompaniment is encouraged but not required.

AWARDS
There will be a Grand Prize, 2nd Prize, and 3rd Prize winner chosen from each division. Judges are reserved the right to judge against an objective standard rather than against the competitors. The number of winners may be modified depending on the number of entries.

  • Grand Prize: $150
  • 2nd Prize: $100
  • 3rd Prize: $50
 
RESULTS
  • Results will be announced no later than mid-to-late May.
  • Individual feedback will be sent out shortly after.

QUESTIONS
  • Email Jessie Shen, Vice President of Events at [email protected].

🧑‍⚖️​ Judges

Picture

Sibbi Bernhardsson

VIOLIN
Icelandic violinist Sibbi Bernhardsson joined the Oberlin Conservatory faculty in 2017 after performing for the previous 17 years with the Pacifica Quartet, with which he won a Grammy Award for Best Chamber Music Performance, Musical America Ensemble of the Year honors, and the Avery Fisher Career Grant.
As a member of the Pacifica Quartet, Bernhardsson appeared in more than 90 concerts worldwide each year, including engagements in Wigmore Hall (London), the Vienna Konzerthaus, Concertgebouw (Amsterdam), Suntory Hall (Tokyo), Alice Tully Hall and Carnegie Hall (New York), and other major venues. He has performed at the Edinburgh Festival, Ravinia, Music@Menlo, and the Reykjavík Arts Festival, and has collaborated with Menahem Pressler, Yo-Yo Ma, Jörg Widmann, Lynn Harrell, Leon Fleisher, the Emerson String Quartet, Johannes Moser, and members of the Guarneri and Cleveland quartets. His television appearances include The Tonight Show, Saturday Night Live, and the MTV Europe Music Awards with Icelandic artist Björk. He appears on 16 recordings with the Pacifica Quartet and has recorded the violin music of Þorkell Sigurbjörnsson and the sonatas for violin and piano by Franz Schubert.

Bernhardsson serves as director of the Cooper International Violin Competition at Oberlin and as artistic director of Iceland’s Harpa International Music Academy. He gives regular concerts and master classes in the United States, Europe, and Asia, and has appeared as a soloist with the Iceland Symphony Orchestra, the Reykjavík Chamber Orchestra, CityMusic Cleveland, and other ensembles.

Picture

Aya Higuchi Hagelthorn

PIANO
Aya Higuchi Hagelthorn serves as the Director of Collegiate Class Piano and Coordinator of the Piano Pedagogy Laboratory Program at the University of Michigan. She also contributes her expertise as a member of the College of Examiners at the Royal Conservatory of Music in Toronto.

Hagelthorn’s musical journey has taken her to Japan, Italy, Prague, and the United States, where her solo and collaborative performances have been warmly embraced. Beyond performing, she is an active researcher in piano pedagogy, presenting her findings at various local and national conferences.

In her teaching, Hagelthorn focuses on solving technical problems and bringing expressive insight from both theoretical and historical perspectives. She is also adept at integrating technology into her organizational roles, enhancing the effectiveness of her educational programs.
Her recordings of Chopin’s piano compositions have been featured in films, documentaries, and educational productions, and can be found on MuseOpen.org and IMSLP.org.

Hagelthorn holds a Bachelor of Music in Piano with a minor in Computer Science from the University of North Carolina at Chapel Hill, and a Master of Music and Doctor of Musical Arts in Piano Performance and Pedagogy from the University of Michigan.
​

Aya Higuchi Hagelthorn’s multifaceted career as an educator, performer, and researcher highlights her dedication to advancing the field of piano pedagogy.

Picture

Rachel Brake

INSTRUMENTAL CONDUCTING
Rachel Brake is a music educator, conductor, arts administrator, and performer based in Boston, MA. Her teaching career has spanned from pre-K at Arlington Public Schools to higher education at the New England Conservatory and Harvard University. In 2023, she served as a guest instructor for instrumental conducting studios at NEC and she continues to teach private conducting lessons to Harvard University students. Additionally, she works for both the NEC Preparatory School and the Boston Youth Symphony Orchestra as a substitute conductor for large ensembles and coach for woodwinds and brass.

At Harvard University, Brake works as a woodwinds, brass, and percussion coach, assistant conductor and music administrator, and music librarian for the Harvard-Radcliffe Orchestra. She loves working with students of any age and ability to foster their passion for music. Her ability to build onto individuals’ strengths and offer insightful, actionable, and concise feedback motivates students to create excellent music in collaborative and independent settings.
​

Brake spends her summers as assistant conductor and French horn performer at the Adirondack Performing Arts Festival. She looks forward to the wide variety of musical experiences there along with spending more time with her family, playing with her young nephew and nieces, and reading in the sunshine by the mountains and lake.

Picture

Susanne Mentzer

VOICE
American mezzo-soprano Susanne Mentzer has established herself not only as an international singer but also as a writer, teacher and arts advocate. Her stellar singing career encompasses 42 years in nearly every major opera company, orchestra and recital organization. In 2016 she joined the faculty of SFCM after 12 years in academia as a Tenured Professor at the Shepherd School of Music at Rice University and Associate Professor at DePaul University in Chicago. She teaches this summer at the TaosOpera Institute and the Napa Festival. As a recitalist, Susanne has appeared on the Great Performers series at Alice Tully Hall, Carnegie’s Weill and Zankel halls, Kennedy Center, Spivey Hall Atlanta, Schwartz Hall at Emory, Santa Fe Concert Association, Aspen Music Festival, Ravinia Festival, Ann Arbor University Music Society, and more.

​She received her Bachelor and Master degrees from The Juilliard School and was trained in the Houston Opera Studio, studying with Rose Bampton and Norma Newton, respectively. Her outspokenness about vocal health has earned her the VERA Award 2013 (Voice Education Research Awareness) from The Voice Foundation. She received the Alexian Brothers USA Thelan Award for her help raising over one-million dollars through gala concerts for the AIDS cause in Chicago and continues to participate in charitable events. Susanne is also a writer and contributed regularly to the Huffington Post where her essays are still accessible.

💙 How is this Competition Possible?

Many thanks to our generous parent donors for continuing their support of Do Re Mi's International Music Competition. To make a tax-deductible donation, visit our GoFundMe.
Do Re Mi Project Inc is a registered 501(c)(3) nonprofit organization. Donate today!
About Do Re Mi
​
About Us
Contact Us
​Terms and Conditions
Service Hours Policy
​FAQ

​
Get Involved
Find Tutors
Volunteer as a Tutor
​
Donate
Shop
Event Calendar

​
Connect With Us!
  • Learn
    • Book a Tutor
    • Get a Free Instrument
  • Volunteer
    • Tutor >
      • Instrument Selection Advising
    • community outreach
    • Other Open Positions
    • Service Hours Policy
  • Donate
  • Events
    • Calendar
    • Scholarship
    • 2025 DRM International Music Competition
    • 2025 Winners - DRM International Music Competition
  • Shop
  • About
    • About Us
    • FAQ
    • Alumni
    • Do Re Mi Fact Sheet